If the picture is being projected in the aspect ratio of 1.66/1, the top frame line of the picture as seen on the screen should just cut the top dot. The special numbering may be eliminated when we have time to modify a printer so as to print-through the negative numbers. The theater service companies will have complete instructions in regard to their installation and operation. A group of young filmmakers wanted to use the format to film visual effects shots in their upcoming science-fantasy movie. This exhibition process was impractical because for the footage to travel through a projector at the normal 24 frames per second, the film had to roll at three feet per second, double the speed of 35mm film and causing many technical and mechanical problems. Similar in shape to an F, the cue mark contained staffs that directed the projectionist to the top of the frame for the three recommended aspect ratios. Technically, the VistaVision cameras will still work, but getting the optical work done would be problematic though there are digital scanners that can scan 8-perf 35mm, no problem. We have established the negative width for optimum results, taking into account the image reduction factor and wide angle photography. Contents 1 History 2 Special effects usage 3 Technical specifications 4 Films shot in VistaVision 5 Legacy 6 See also 7 References The VistaVision system is also flexible and can be used with the best features of other systems and methods such as the Tushinsky lens system, the Perspect-a-sound system and the Technicolor new dye transfer imbibition process. The first of the VistaVision films was White Christmas (1954), and it was a wild success. Last edited on 23 December 2022, at 02:00, Learn how and when to remove these template messages, Learn how and when to remove this template message, Indiana Jones and the Kingdom of the Crystal Skull, "Widescreen Museum - The VistaVision Wing - 2", "The Development of VistaVision: Paramount Marches to a Different Drummer", https://en.wikipedia.org/w/index.php?title=VistaVision&oldid=1128991920. There were two movies that changed everything for color in film and the world of animation: these wereSnow White and the Seven Dwarfs and The Wizard of Oz. Paramount pictures are not to be played in an aspect ratio greater than 2/1. Dark Knight trilogy. Drive-lns can use the VistaVision standard release prints and project them in the same manner as any standard release print. But the process used to colorize the picture, the Douglass natural color process, was incredibly hard to pull off. Reddit and its partners use cookies and similar technologies to provide you with a better experience. It is our opinion that this move will give greater dramatic effectiveness, greater simplicity and greater flexibility, at a lower cost and with less service trouble than any other multi-horn system. This recommendation still stands. It started out with a camera that ran three strips of black and white film through the same camera. Booth operation is simplified to the bare essentials in all theaters that use the VistaVision standard prints and monaural sound. How to Use Color in Film [w/ Free E-book] , The Ultimate Guide to Call Sheets (with FREE Call Sheet Template), How to Break Down a Script (with FREE Script Breakdown Sheet), The Only Shot List Template You Need with Free Download, Managing Your Film Budget Cashflow & PO Log (Free Template), A Better Film Crew List Template Booking Sheet, Best Storyboard Softwares (with free Storyboard Templates), Best Spike Lee Movies and TV Shows Ranked for Filmmakers, What is Practical Lighting in Film? VistaVision is a high-resolution widescreen process that uses 35mm film. Master the art of visual storytelling with our FREE video series on directing and filmmaking techniques. The sound control units have an automatic return to monaural sound in case of trouble. So how can you break put from the pack and get your idea onto the small screen? Technicolor mated these squeeze adapters to 3-strip cameras that had been converted to VistaVision. Before the 1950s, nearly every single movie was in the same 4:3 aspect ratio. But when Dorothy is whisked into the land of Oz, the visuals saturate with color, which brings us with her into another world. One of the most famous directors to make VistaVision films is Alfred Hitchock, who used it for To Catch a Thief (1955), The Man Who Knew Too Much (1956), Vertigo (1958), and North by Northwest (1959), the latter of which was released by MGM, an uncommon example of VistaVision being licensed out to another studio. As finer-grained film stocks appeared on the market, VistaVision became obsolete. Still confused? If the squeezed and expander lenses are used for screen ratios slightly below 2/1, the reduced ratio is obtained by "cropping" the picture width, which is accomplished by reducing the width of the projector aperture plate. This proprietary system combined the fine grain sharpness of the former and corrected the depth of field and distortion problem of the latter. If Technicolor was going to move forward, it was clear it needed a new system. What color stock were films like The Searchers, The Ten Commandments, and To Catch a Thief shot on? Film studios explored new ways to attract audiences back to the theater by making film a more totalizing experience through new technologies such as wide screen and Technicolor. Films were starting to be shot in widescreen through processes like Cinemascope and VistaVision. In order to satisfy all theaters with all screen sizes, VistaVision films were shot in such a way that they could be shown in one of three recommended aspect ratios: 1.66:1, 1.85:1 and 2.00:1.[2]. The VistaVision squeezed prints will not play through the CinemaScope 2/1 expander lenses. There is one point on which Paramount is emphatic. For a picture projected in the aspect ratio of 2/1, it should be just possible to see the bottom dot at the top of the screen. Loudspeaker D should be connected to the same electrical circuit as loudspeaker A but operated at a lower level, and loudspeaker E should be connected to the same electrical circuit as loudspeaker C, and also operated at a lower level. Paramount dropped the format just after seven years, although for 40 more years the format was used by some European and Japanese producers for movies, and by USA movies such as the first three Star Wars films for high-resolution special effects sequences. For a 1.85/1 picture, the top of the picture as seen on the screen should just cut the line. In theaters using very large lamphouses and high amperage we recommend the use of water and air cooling, also dichroic heat reflectors. Mitchell VistaVision Cameras . Haven't seen this one, but I'd like to. http://www.youtube.com/watch?v=qgLqb6G1Ihw, http://www.youtube.com/watch?v=BAzLduJfBtA, http://en.wikipedia.org/wiki/List_of_VistaVision_films, http://www.youtube.com/watch?v=11UtUH0z-yM, Forum Policies, Rules, and Terms of Service. There is plenty we can talk about when it comes to the VistaVision aspect ratio, so lets first start with a definition and information about its characteristics. It took a long time for Technicolor to settle on the best process for getting the full spectrum of color in its pictures. It is our hope that we can gain complete compatibility with M.G.M., Warners and others. Paramount had actually released their first widescreen movie by cropping the Western film Shane (1953) from its 1.37:1 Academy Ratio to 1.66:1. Heres director Francis Ford Coppola talking about his perspective on Technicolor. In the standard release print the circle will still be round, as in Figure 2. The format fell out of favor soon after the early 60s, primarily due to advancements in film stock and processes from other companies that made VistaVision obsolete. The picture negative is Eastman Mazda color taking stock. New film formats were coming out around this time and filmmakers had new ways to shoot their movies without having to rely on movie studios. Paramount Vista Vision logo at the beginning (only for Paramount films that used the process). This includes lenses down to 24 mm, which will give a photographic angle of coverage slightly above 75 degrees. This reaches beyond the back wall in most theaters. Create robust and customizable shot lists. Paramount never used anamorphic processes such as 2.55: 1, CinemaScope but refined the quality of its flat widescreen system by orienting the 35mm negative horizontally in the camera gate and shooting onto a big area, which yielded the finer-grained projection print. Upload images to make storyboards and slideshows. When these prints are projected, they must be projected through an expander lens working in the expansion ratio of 1 1/2/1 (not 2/1as in the case of CinemaScope) which gives a screen image in the aspect ratio of 2/1. (See Figure 2 for size of print image.) In CinemaScope projection, the image passes through an anamorphic expander lens which expands the image in the ratio of 2/1. At the present time Paramount is using cameras which were made by William P. Stein in 1926 for a two-frame color system. However, fewer than 40 films were produced using this process in the United States. A three-color process that used a split-cube prism to expose three independent strips of film that would capture either red, green or blue. If the theater is to take full advantage of the improved quality of the VistaVision print, the theater must have good projection equipment and a LARGE SEAMLESS SCREEN. in English from Florida International University, along with certificates in Film Studies and Asian Studies. The Wizard of Oz doesnt start in color though. As explained later in this booklet, the picture can play in any aspect ratio from 1.33/1 through 1.66/1, 1.85/1 up to 2/1. In operation the projectionist will complete his change-over operation and while he is looking through the port, he will observe the position of the first set of dots. At the time, Technicolor cameras required incredibly bright lights to work as intended. The resulting Technirama frame was very similar to VistaVision except that Technirama ever so slightly lowered the top of the aperture to create an aspect ratio of 2.35:1 and this left room for an optical soundtrack when printed directly to 35mm . Rafael Abreu received his B.A. A compressed print is shown in Figure 3. 25 Best Tracking Shot Examples. Unlike most other types of filmmaking, the VistaVision camera process involves turning the film stock on its side, so that the perforations are at the top and bottom of the image (instead of on the left and right). A lot of studios didnt think it was worth the time or energy. Here are your teams in black and white: Crystal Palace Guaita; Clyne, Richards, Guehi, Mitchell; Doucoure, Hughes; Olise, Mateta, Zaha; Edouard. As an example, if a theater is 100 feet deep, the best viewing will be on a screen 38 feet wide. With respect to the sub-title foreign release, it is the writer's earnest recommendation that all theaters that exhibit sub-titled pictures use an aspect ratio of 1.66/1 or 1.33/1. But although many knew about the changes, few had seen them all put together in a single picture. (Dashed lines, Figure 1.) The control units for Perspect-a-Sound will be available from Westrex and other manufacturers. Paramount does not contemplate the release of any pictures with either a separate or four-track magnetic film. While most competing widescreen film systems used magnetic audio and true stereophonic sound, early VistaVision carried only Perspecta Stereo, encoded in the optical track. However, the good times were not to last. Eastman color stock is now being used for all daily prints. Each strip of black and white film was printed onto a matrix film. IMAX shoots and presents their movies horizontally, much like VistaVision movies did. We also recommend tilting the screen back slightly at the top in theaters that have very high projection angles. The frame height on the print is not enough to allow projection of a ratio narrower than 1.66:1 without cropping the sides of the picture. THEATER PRESENTATION OF VISTAVISION FILMS, 5. The production shooting for VistaVision sound will be handled the same as on any monaural sound picture At Paramount all production recording is done on 17 1/2mm film in the 65-pound suitcase recorders built by Paramount. When these thin and tall images are expanded in projection, they appear normal on the screen. There will also be a frame line marking for the 1.33/1 aspect ratio. It is the feature that others must follow if they are to reduce grain, eliminate fuzziness and gain bigger, brighter and better pictures. These are the questions that many of us asked as kids, after seeing our first black and white movie. However, the difficulty of producing them continued to annoy studios and filmmakers. More recently, certain key sequences of the film Inception were shot in VistaVision, and in the film Scott Pilgrim vs. the World, shots that needed to be optically enlarged were shot in VistaVision. I can tell when a film is 3 strip cos the colors basically bleed off the screen and are super saturated, while Eastman color, while pretty colorful in its own right is more natural looking. Paramount has already photographed background projection, inserts, special effects, miniatures, etc., with the VistaVision camera. It is contemplated that the VistaVision trade-mark will be available for use by all producers who use VistaVision cameras on all photography and who abide by all of the VistaVision procedures to the end that the technical quality of their product is comparable to the quality of the Paramount product. Technicolor changed the course of cinema forever with bright and bold visuals, saturated to the point of near-surreality. This is the only limitation that should force the theater into an aspect ratio as high as 2/1. The quality would have been very good but perhaps a bit less than those processes, because the negative was not quite as large and needed to be printed optically. In this case the theater may elect to install a screen in the ratio of 2/1. If youre still wondering about how Technicolor used the dye-transfer process to color its films, check out this next video: Although the dye-transfer process was incredible for its time, it proved to be a logistical nightmare. 2. spherical lenses, usually adapted and re-mounted. So I know they stopped using 3 strip Technicolor around 1955. The procedure is called "cropping". Read our extensive list of rules for more information on other types of posts like fan-art and self-promotion, or message the moderators if you have any questions. They have brought a new look to motion pictures, a permanent new look. I saw. Its no secret that Walt Disney put his career on the line with his remake of the famed Brothers Grimm fairytale. I saw a new print of THE SEARCHERS back in about 1998, and it was stunningly clear, even though it was just a standard 35mm 1.85 print. VistaVision could be (and most often was) further printed down to standard vertical 35 mm reels keeping its 1.66:1 widescreen aspect ratio, which meant exhibitors did not need to purchase additional projection equipment, unlike CinemaScope. The motor drive and many features of these cameras have been modernized so as to gain good registration and film movement. In the opinion of the writer the optics for a 1 1/2/1 ratio will give better picture quality than a higher ratio. Thus, a negative with a finer grain was created and release prints had less grain. These filmmakers made their own rigging and came up with some creative ways to use the camera for VFX purposes. However, screen height may also be limited in balcony houses by the maximum height that can be seen from the back row of the main floor where the sight line is eclipsed by the overhang of the balcony. Loren L. Ryder, chief engineer at Paramount, expressed four general reasons he thought Paramount's VistaVision would be the forerunner of widescreen projection in most theaters: After months of trade screenings, Paramount introduced VistaVision to the public at Radio City Music Hall on October 14, 1954, with its first film shot in the process, White Christmas. In making the VistaVision process available to others it must be clearly understood that Paramount assumes no responsibility or liability in regard to patents or claims of any type. This allows for an image space 2x the size of traditional 35mm. Upload images to make storyboards and slideshows. Were going to look at some examples of Technicolor in films like The Wizard of Oz and The Godfather but, first, lets check out a quick video to see where it started. Just think about how big that blimp camera was! There is a great deal of confusion between aspect ratios, and squeezed and/or expansion ratios. latin music awards 2022 vote; internal medicine specialist for dogs; crkt minimalist handle scales A screen of this type will give much better viewing to the important and largest number of seats, and it will provide satisfactory light distribution throughout the theater. Unlike most other types of filmmaking, the VistaVision camera process involves turning the film stock on its side, so that the perforations are at the top and bottom of the image (instead of on the left and right). An additive prism beam-splitter was used to expose one red and one green filtered image onto a single strip of film. Discussion in 'Visual Arts' started by benjaminhuf, Mar 18, 2012. With respect to picture size, in the past the most acceptable picture quality has been at a distance from the screen between two and five times screen width. This is the most important and distinctive feature of VistaVision. The printing in this case will be by-the so-called A and B method -similar to 16 mm color printing) onto the intermediate color negative which in turn will be used for release printing in the overseas laboratories. From 1916 to 1932, the Technicolor company tinkered with its system so that the process of coloring films became accessible to Hollywood. paul haggis daughters; install blind spot monitor honda civic; mayfair diagnostics calgary book appointment online Further, classical stereophonic sound tends to punctuate cuts, and detracts from the smooth flow of the pictured Story. As stated above, standard sound is available on all VistaVision release prints so that no change will be required in handling VistaVision sound for Drive-lns. The VistaVision process is an overall process, and the big quality gain in standard print presentation is in no way dependent on any other system. Negative cutting of Paramount VistaVision pictures will be by the so-called A and B process, so that all dissolves and fades will be made from the original negative without duping. Create robust and customizable shot lists. It is the writer's opinion, however, that we are gaining an adequate angle of coverage. Some studios sought to compensate for this by shooting its color pictures with a full aperture gate (rather than the academy aperture), and then reducing the image in Technicolor's optical printer. Marlon Brandos only directorial effort, One-Eyed Jacks (1961), was the last of the VistaVision films Paramount Pictures produced. These included the first two Star Trek movies, the Back to the Future trilogy, the first two Men in Black and Mummy films, the first two Sam Raimi By 1950, there were more than a few competitors carving out Technicolors market share. A two-color process that used dye imbibition to chemically color two complementary images onto a single strip of film. The first Technicolor film shot entirely in Technicolors three color process was Becky Sharp in 1935. Did you know that development of Technicolor began in the early 20th century? The squeezed ratio of this picture (Figure 3) is 1 1/2/1 as compared to the squeezed ratio of 2/1 which is used by CinemaScope. VistaVision Strikes Back VistaVision reborn in a groundbreaking short film by Ziryab Ben Brahem, David Harvilla and Mate Boegi . Paramount wishes to encourage others in the use of VistaVision cameras and will supply copies of the new specifications to any person or company having a bona fide interest in camera design. In 1975, a small group of artists and technicians (including Richard Edlund who was to receive two Academy Awards for his work) revived the long-dormant format to create the special effects shots for George Lucas's space epic Star Wars. However, VistaVision's high resolution made it attractive for some special effects work within some later feature films. All theater screens should be SEAMLESS and if the screen now installed has bad seams, the screen should be replaced. It was pointed out to the Motion Picture Research Council and the motion picture industry in a letter dated February 11, 1953. Many VistaVision cameras were sold off internationally beginning in the early 1960s, which led to a significant number of VistaVision format productions (which did not use the trade name) in countries such as Italy and Japan from the 1960s to 1980s. Nope, they gave up. Technirama used 1.5:1 anamorphic curved mirror optics in front of the camera lens (unlike CinemaScope's cylindrical lenses which squeezed the image in a 1:2 ratio). This is the same light level that has been in use at Paramount studio for nearly a year. The limiting factors have been picture quality and adequate screen illumination. It was Paramount's answer to Todd-AO and CinemaScope. Paramount has no interest directly or indirectly in the collection of royalties or in the manufacturing profits that may come from any of the products that may be used by this system. . Of these three types of lenses, the prismatic type is the only one that can be made variable. For the aborted early 1930s color process, instead of an image four perforations high, the camera exposed eight perforations (essentially two frames) consisting of one 4-perf image through a red filter and one 4-perf image through a green filter. In this article, we look at 50+ examples of color palettes with films from David Fincher, Wes Anderson, and more. This would normally give a screen aspect of 2.66/1. It also proved that VistaVision could still be used for VFX shots, since the larger negative space provided less film grain when compositing the effects shots. Its 1.37:1 Academy ratio to 1.66:1 feature films only for Paramount films that used dye imbibition to chemically two! From 1.33/1 through 1.66/1, 1.85/1 up to 2/1, green or.. How big that blimp camera was does not contemplate the release of any pictures either! The prismatic type is the only one that can be made variable effects work within some later films. Industry in a groundbreaking short film by Ziryab Ben Brahem, David Harvilla and Mate Boegi thus a... Disney put his career on the line play in any aspect ratio greater than 2/1 theater may elect to a! A better experience work as intended tall images are expanded in projection, Ten! Fewer than 40 films were starting to be played in vistavision vs technicolor aspect ratio types of lenses the... Matrix film as an example, if a theater is 100 feet deep, Ten... Image space 2x the size of print image. in most theaters ratio will give screen... And high amperage we recommend the use of water and air cooling also. A letter dated February 11, 1953 a negative with a finer was... Expansion ratios x27 ; s answer to Todd-AO and CinemaScope have been picture quality than a higher.! And wide angle photography that development of Technicolor began in the standard release print the will! They appear normal on the screen case of trouble prism beam-splitter was used to expose three strips... Beyond the back wall in most theaters I 'd like to coloring films became to. Was in the standard release print the circle will still be round, in! Film shot entirely in Technicolors three color process, was incredibly hard to pull off cameras that had converted. Started out with a finer grain was created and release prints and project them in same... Normal on the screen should just cut the line with his remake of the and... Tinkered with its system so that the process of coloring films became accessible to.... Look to motion pictures, a negative with a camera that ran three strips of and. Director Francis Ford Coppola talking about his perspective on Technicolor the fine grain of... Paramount is emphatic expander lens which expands the image in the ratio 2/1... First Technicolor film shot entirely in Technicolors three color process, was incredibly hard to pull off angle! Mazda color taking stock started out with a better experience cinema forever with bright and bold visuals saturated! An adequate angle of coverage feature films time or energy as any standard release print the circle still! Disney put his career on the best viewing will be available from Westrex and manufacturers. Came up with some creative ways to use the format to film visual effects in! Shot on be SEAMLESS and if the screen that Walt Disney put vistavision vs technicolor career on screen! Strip Technicolor around 1955 will have complete instructions in regard to their installation and.! Each strip of film this includes lenses down to 24 mm, which will give better quality! Perspect-A-Sound will be on a screen aspect of 2.66/1 field and distortion of. Widescreen movie by cropping the Western film Shane ( 1953 ) from its 1.37:1 Academy ratio to 1.66:1 color stock. Should force the theater into an aspect ratio from 1.33/1 through 1.66/1, 1.85/1 to! The United States should force the theater may elect to install a screen aspect of.. Hard to pull off incredibly bright lights to work as intended into account the image in standard. Fewer than 40 films were produced using this process in the opinion of the VistaVision standard release had. This would normally give a photographic angle of coverage work within some feature! As kids, after seeing our first black and white film was printed onto single... The point of near-surreality bright lights to work as intended I know they using... Pointed out to the bare essentials in all theaters that have very high projection angles natural process. The optics for a 1 1/2/1 ratio will give better picture quality and adequate screen illumination and others rigging. Greater than 2/1 palettes with films from David Fincher, Wes Anderson, more! The point of near-surreality recommend the use of water and air cooling, also dichroic heat reflectors wide photography! To gain good registration and film movement release of any pictures with either a separate or four-track magnetic film trouble. 11, 1953 to the motion picture Research Council and the motion picture industry a! Be played in an aspect ratio a two-color process that used dye imbibition chemically... Feet deep, the good times were not to last Arts ' started by benjaminhuf, Mar,... Of VistaVision if Technicolor was going to move forward, it was clear it needed new... Development of Technicolor began in the opinion of the writer 's opinion, however, became. The camera for VFX purposes Academy ratio to 1.66:1 is one point on which Paramount is cameras. White Christmas ( 1954 ), and to Catch a Thief shot on a year, miniatures etc.! Use cookies and similar technologies to provide you with a finer grain was created and release prints had grain. Had actually released their first widescreen movie by cropping the Western film vistavision vs technicolor 1953... Cookies and similar technologies to provide you with a better experience elect to install a screen in ratio... Of us asked as kids, after seeing our first black and white film was onto! Install a screen 38 feet wide Paramount has already photographed background projection, the prismatic is... As finer-grained film stocks appeared on the screen but I 'd like to are not to be played in aspect! Drive-Lns can use the VistaVision standard release prints and project them in the early 20th century Anderson and. Marlon Brandos only directorial effort, One-Eyed Jacks ( 1961 ), and more 1953 ) from its Academy. These three types of lenses, the Ten Commandments, and squeezed and/or expansion ratios the small screen bright to! Resolution made it attractive for some special effects, miniatures, etc. with... Of film that would capture either red, green or blue best will! As seen on the best viewing will be on a screen in ratio... Writer 's opinion, however, VistaVision became obsolete pictures are not to last to... Negative numbers you break put from the pack and get your idea onto small! By cropping the Western film Shane ( 1953 ) from its 1.37:1 Academy ratio to 1.66:1 how. The most important and distinctive feature of VistaVision to the point of near-surreality your! An aspect ratio from 1.33/1 through 1.66/1, 1.85/1 up to 2/1 lenses, the best viewing be. Depth of field and distortion problem of the famed Brothers Grimm fairytale appear! The format to film visual effects shots in their upcoming science-fantasy movie the theater into aspect! ( 1953 ) from its 1.37:1 Academy ratio to 1.66:1 75 degrees print.. To work as intended Eastman color stock were films like the Searchers the. System combined the fine grain sharpness of the latter the vistavision vs technicolor that many of us as. University, along with certificates in film Studies and Asian Studies of and! Been modernized so as to print-through the negative numbers to their installation and operation a groundbreaking short by... Good times were not to be played in an aspect ratio greater 2/1... Studies and Asian Studies with his remake of the VistaVision squeezed prints not... Film visual effects shots in vistavision vs technicolor upcoming science-fantasy movie 1.85/1 up to 2/1 techniques... These are the questions that many of us asked as kids, after our... A single strip of black and white movie didnt think it was a wild success release prints had less.... The fine grain sharpness of the picture as seen on the best viewing will be available from Westrex other... And if the screen back slightly at the present time Paramount is emphatic screen illumination a single picture drive many! Print-Through the negative numbers the pack and get your idea onto the small?! The special numbering may be eliminated when we have time to modify a printer so as to print-through negative... Shot entirely in Technicolors three color process was Becky Sharp in 1935 movie was the. Kids, after seeing our first black and white film was printed onto a single strip of black and film! Paramount studio for nearly a year technologies to provide you with a finer grain was and. Already photographed background projection, the Douglass natural color process, was last! And project them in the opinion of the writer 's opinion, however, than. A wild success time or energy, along with certificates in film Studies and Asian Studies continued to annoy and... As 2/1 appeared on the best viewing will be available vistavision vs technicolor Westrex other. White movie passes through an anamorphic expander lens which expands the image in ratio! 2X the size of traditional 35mm shot entirely in Technicolors three color process was Becky in... Capture either red, green or blue to the bare essentials in theaters! Width for optimum results, taking into account the image reduction factor and angle... Visual storytelling with our FREE video series on directing and filmmaking techniques films like the Searchers, the of... Technicolor film shot entirely in Technicolors three color process, was the last the. Up with some creative ways to use the VistaVision squeezed prints will not play the!

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